Prof. T. N. Krishnan has nothing to prove to anyone. Yet, the octogenarian violinist was a picture of sincerity and dedication as he presented his concert on Christmas Day.
Tranquillity reigned supreme right from the word go, and his refined artistry took the concert to a sublime level.
The veteran, accompanied by his daughter Viji and son Sriram, began with ‘Vatapi Ganapathim’ in a slower pace, not his usual. The swaras were given an extended treatment.
Mridangam vidwan Tiruvarur Bhaktavathsalam showcased controlled mastery with his deft tekkas, nadais and arudis.
TNK’s presentations have never been prosaic or arithmetic-driven, and that morning was no exception. Devagandhari was an exhibition of his unique class. After a few phrases, Sriram established the raga with Viji chipping in. Not satisfied, TNK explored the raga further. ‘Vinaradana Manavi’ (Tyagaraja) was a complete package.
Mohanam (‘Evarura’ - Tyagaraja) essay brought forth the sensitive side of the veteran. The way he coaxed and cajoled his instrument was hypnotic. Same was the case with his ragam and tanam in Simhendramadyamam, Kapi, Kaanada and Sindubhairavi.
The thani of Tiruvarur Bhakthavatsalam and Vaikkom Gopalakrishnan (ghatam) that followed a simple pallavi, gave ample scope for both the artists to unleash their capabilities.
A brief Surutti followed by ‘Vanga Kadal Kadainta’ (Andal Tiruppavai) was emotional.
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